
May sound daunting.however, any work you put into this subject matter puts you into the shoes of those old composers a little. Good if the sf you use plays mostly right in your sampler, better if you can correct any imperfections caused by faulty programming or import. you need a sampler that shows you how the waveform is looped, and allows you to exactly correct the loop. sf2 sounds right, you might have to delve into the craft/art of looping samples the old way.

If you want meticulous authenticity though, and no existing. you find something that is close enough and let more recent technology do the rest. What this means is you don't necessarily have to find the exact loop point in the sample, as used in the OST. in a modern sampler like kontakt, you can relatively easily avoid said crackles by blending. i'm assuming you don't know what that means. The SNES did not have any capability to blend loop points. sf2 or not, and learn more about looping samples, in any given sampler. The comprehensive answer is: get ahold of the. stuff like vintage dream waves 2.0.sf2, which while not based on VGs, has that same min/max spirit.provided the right playback, you can get hundreds of patches at less than a hundred KB, which is down to meticulous programming and using all of. sf2 programming masterpieces around from the late 90's, but good luck finding a modern sampler to play them back correctly according to the old Creative standard. sf2 support just isn't getting any better. no/fewer wonky loop points resulting in the crackles you experience). If you can get jiggy with FL, the 32 bit version still supports the legacy soundfont player, and that one usually plays as intended (i.e. that means you definitely get the data the composers used, not whatever the hobby musician did with samples ripped from the rom. It includes several different clarinets, and the best thing about it is the incredible playability and expression, without having to use key switches.This thing is accurate, lots of work to get into, doesn't use soundfonts but the. But since I do mainly orchestral/cinematic music I tend to prefer Infinite Woodwinds. For more upfront clarinets like jazz, or solo lines SWAM is great. It depends on what style of music I write.

The clarinet is in my opinion the most dynamic and versatile instrument in the orchestral woodwinds family.

So you want the greatest sound clarinet sample library or VST plugin, do you? =)
